Offers a theory of art that overturns post-Romantic, prescriptive theories and reclaims the independent and direct experience of art as being of primary importance. The text examines the relevance of perception and attacks social usefulness as the criterion of excellence in the arts.

In his new work, Disappointment, Bruce Fleming starts from the realization that even objective views of the world are so only under specific circumstances. Subjects range from war and the nature of explanation systems such as science and astrology to a concept Fleming calls "coloring." When we identify coloring, it seems to us that a single quality of something larger has eclipsed all its other qualities—for example, skin color or sexual orientation coming to stand for the whole much more complex (...) individual. (shrink)

Literary theory of the twentieth century in the Anglo-American tradition forms a coherent whole, dividing into discrete clusters. This theory is riddled with purely logical problems inherent in its enterprise, resulting from the fact that Modernist theory develops as an offshoot of Romanticism. Such fundamental flaws, or discontents, afflict all Modernist theory, from Russian Formalism through Structuralism and Deconstruction. The problems of Modernist theory cannot be solved; at most we can resolve to take theory in a new direction.

This book is set in many places—Cairo, the Eastern Sierras, Las Vegas, New York's Adirondack Mountains, and Barcelona, among others—but always in the moving body of the runner hurtling both through and into the world. It is a hymn to human motion and an explanation of its sweetness.

Science and the Self offers a fundamental re-conception of the relationship between science, a specific type of knowledge, and the other types of knowledge that are equally part of life. This book offers a refreshing, coherent view that explains the nature of the self in the world, the nature of belief, and whether miracles are possible.

The Aesthetic Sense of Life is a fast-moving book about how to see the world and get value from living every day with the "everyday." Do the infinite number of sensations we're surrounded with every day have intrinsic value? If not, what gives them value? Who appreciates the sunrise if we don't? Is it enough for just us to appreciate it? Or do we have to share it? The Aesthetic Sense of Life considers and answers to questions such as these (...) in clear, readable prose, offering a way of looking at life that makes clear its value and its meaning. The aesthetic sense of life is neither the viewpoint of the saints—for whom the sensations of the world are mere murmuring and illusion—nor the viewpoint of those completely fulfilled by their things, their gadgets, the particulars of their own lives. Most of us fall in the middle between these two extremes: we appreciate, say, a good cup of coffee, a power tool, a new set of towels, or a juicy steak, but don't think the answer to the riddle of existence is to be found in any of these. We appreciate them without thinking them sufficient. What's missing from them? What's missing is this: a sense that they can give meaning to life. (shrink)

What if Plato's Symposium took place in present-day America rather than in ancient Athens? The Thanksgiving Symposium imagines this, and makes it happen. Like Plato's dialogue, The Thanksgiving Symposium focuses on the age-old question: what is the nature of love? In The Thanksgiving Symposium, three men and three women of varying ages and degrees of closeness meet for Thanksgiving dinner. Their particular situations give rise to a discussion of love in the general and the specific, leavened with the normal give (...) and take of social interaction. During the evening, much is discussed and some things are decided. Plato's dialogue verges on being a play about philosophy rather than a philosophy, people discussing things rather than a philosopher telling us what to conclude. The Thanksgiving Symposium develops this aspect of Plato while offering a new philosophy that responds to the old. Is the result a play? A dialogue? A philosophy? Like Plato's Symposium, it is all of these at once. (shrink)